Video Artis Ngentot - Gaya seksi dan desahan yang menggairahkan

Gadis Ngentot

2010-05-10T07:33:00.000-07:00

Marc and Beatrice have been married for several years. While traveling in Italy where Marc has come to give a series of lectures, their two-year-old son, who has remained in Paris, is struck by a car and killed.

After that tragic accident, Marc lavishes more love on Beatrice than ever, giving her jewelry, furs and presents. But physically, he shows an increasing lack of interest in her and has relations with her lesse and lesse often.

Beatrice puts up with this in silence at first, then threatens to take a lover. Instead of being angry, Marc advises her to do so if that can make her happy. After much hesitation, Beatrice attempts the experiment, but is only disappointed.

During a hunting party, she runs into her friend Hélène and notices that Marc is not indifferent to the woman's charm. She asks Helène to seduce her husband to find out if he has an aversion to all women or only to his wife.

Hélène agrees to do so in her friend's

interest. With her, Marc succeeds in liberating himself. He confides in her and admits having an Affair with Norma, his secretary. But he assures Hélene that he is deeply in love with his wife. Hélène has hopes of restoring Marc to his wife. Beatrice discovers the Affair between Marc and Norma. Her anxiety is such that an insane scheme germinates in her mind.

She gets Norma to come to her home, plies her with drink and starts caressing her. She knows that Marc will come home and catch them at it. That is exactly what happens. At first Marc is excited by the spectacle of the two beautiful women, but he very quickly gets hold of himself. He is disgusted and tells Beatrice he is going away for a round-the-world series of lectures; he does not leave his desperate wife the time to reveal a very important secret.

A year goes by. One winter evening, Marc turns up at Hélène's place with his suitcases. She is not in. Marc wanders alone through her empty apartment. While leafing through a photograph album, he suddenly vivets his eyes on a picture o' Beatrice with their 3-month-old son.

Hélène comes home and finds Marc staring at the photo. She tries to comfort him but her charm no longer has any effect on him. Marc no longer reacts to anything. Hélène understands and explains to Marc that he suffered trauma after his son's death and gradually drifted away from his wife because of an unconscious fear of having another baby. She tells him that the picture he is pressing against his heart is not his dead son but a little daughter that Beatrice has had during his absence.

That is the secret his wife wanted to tell him when he refused to listen to her just before his departure. With this new child, Marc and Beatrice return to Italy where they last learned the death of their son and the presence of their little daughter restores their former love.

Making the Blue Film

2010-04-21T06:32:00.000-07:00

One of the most interesting new hard-core films to come out this year is Making the Blue Film, directed by Jerry Nehemia. It's a feature length documentary on cinematic bluegraphy through the years that includes a lot of old stag movies as well as extensive footage shot during the making of a contemporary hard-core film. It's a well produced movie-that is to say, the camera work, sound track, and editing are far superior to the avenge blue film. So we called upon Jerry Nehemia the other day to ask him a few questions about the movie and about bluegraphy in general.

Nehemia, who has been a commercial filmmaker for years, explained that he became Interested in making a blue film after seeing Alex de Rinzy's History of the Blue Movie. He thought that film was so poorly made-and the subject so perfect for a documentary-that he'd make his own, just to show what could be done with hard-core.

As a filmmaker, Nehemia has been involved on and off over the last ten
years with the depiction of on the screen. He has made quite a few inserts for foreign films, including work on the (list Bergman movies to arrive in this country. Nehemla was hired by the American distributor to find doubles for the Bergman actors, and insert a nude sequence or extend a scene. In the mid sixties, he recalls, a flash of pubic hair was liable to get you arrested. Once, his cameraman accidentally used a wide-angle rather than a close-up lens, and the actress' entire nude body, including her cunt, came out on the film. The processing lab had a fit and refused to handle the film. Today, of course, pubic hair is a fairly common sight on the screen, and the filmmakers have moved on to harder territory.

The main point of Making the Blue Film, Nehemia feels, is the contrast in attitudes between the old World War I stag movies and the present generation of blue makers. The old stag films were made for clandestine showing, and rarely is an actress ever identified or a filmmaker's name given. In short, and movies were still in the closet. The new filmmakers and actresses-like the ones interviewed In this movie- are mote open about and unashamed of their work in films.

Next --->

Anita comes to New York

2010-04-10T06:44:00.000-07:00

The story of Anita is the story of thousands of young girls who come to New York every year seeking the bright lights,

excitement and fame that only the big, dirty city can give them Anita comes to New York hoping to become an actress but she soon finds that there is a long line ahead of her Forced to find other work, she becomes a photography model And she meets Jack Baron

A promising young photographer, Baron, like so many others, spends more time womanizing than he does working When the obviously naive Anita comes to his apartment for a picture session, he finds little trouble in seducing her, Anita moves in with Jack soon afterwards and becomes his mistress

One night Jack brings a small time motion picture producer home with him named Milton Allen In exchange for Milton's backing in a film project, Jack has promised him a pliant, innocent young girl for the evening-Anita

Eventually Anita plays a featured roll in the movie a low budget exploitation

film At the same time she meets her next lover, Jerry Reamer, a young, egotistic actor

Next--->>>

Bokep Dari New York

2010-04-05T06:35:00.000-07:00

Though Anita continues to live with Jack, he spends less and less time with her Always a hard drinker,

he eventually turns to drugs and loses almost all interest in her And inevitably, Jack quits working altogether and spends all his time supporting his habit

Anita decides to leave him but before she has a chance, Jack drags her down in the gutter with him He brings another photographer and two girls home with him and sells Anita to the photographer whose passion is making and selling pornography.

After that night Anita begins losing all track of time She cannot even remember the faces of the men Jack brings home to violate her Eventually, however, Jack brings Max to her bed Max is a sadomasochist who enjoys beating her Unfortunately for Jack, Max is very wealthy and decides to keep Anita for himself He throws Jack out and establishes Anita in the apartment as his mistress

Anita gives a lavish party to celebrate her "good fortune". She invites all the people who have used and abused her since coming to New York She also invites her oldest and dearest friend, Gina The revelation of the relationship between the beautiful Anita and the luscious Gina is only part of the surprise ending to this tantalizing film.

<<<---Back

Angle of Love

2010-04-01T07:02:00.000-07:00

Gloria is a tease, a frigid virgin who eggs on the men in her life, but never comes across.

One evening, after rebuffing the advances of her boy friend Paul, she is attacked and raped in her hallway. Gloria responds to the rapist. Her attacker, obviously high on drugs, pays no heed to her pleas that he stay with her. He leaves her and she finds that her mind is preoccupied with thoughts of. Distraught, she seeks the advice of a girl friend, who tells her to "Go out and do it."

Thinking that intercourse will relieve her of daydreaming, she calls Paul and asks him to come over. Paul is surprised at her enthusiasm. She insists that he make love to her at once. Paul's lovemaking fails to satisfy Gloria. She rejects him again, this time not because she is cold but rather because he cannot bring her tO release. Gloria goes out thrill seeking and picks up two hippies in a bar. They too fail to satisfy her.

It is apparent that Gloria has become a full fledged nymphomaniac. She experiments with lesbian love and finds it unrewarding. Only one man can satisfy her, she is convinced.

Wherever she goes she imagines that she sees the man who kindled the flames of unquenchable lust in her hot loins. Gloria tries to form a relationship with one man to whom she is physically attracted but his old-fashioned morality turns her off and she returns to the orgiastic thrills of multiple. At an orgy, Gloria hears of a fantastic lover, It turns out to be the man Gloria is searching for, the man who twisted her desires. She lures him to her apartment, where, locked in an intimate embrace, she unleashes the pent-up animal passions of her tortured body and gets her revenge in a moment of blinding climactic violence.

Ngintip Film Bokep

2009-05-08T05:35:00.000-07:00

Nehemia spent six months collecting the old stag films-trying to find good ones that had not been included in any other documentary. Most of his material came from private collectors, and some of it is rare indeed. Despite the tact that most of the old footage is in poor condition and does not project well on the screen, it is still delightful to watch. One piece in particular, called The Radio Man, stands out as a gem. It's a 1930's blue movie about a fellow who comes to the house to fix the radio and winds up fucking the horny housewife and her maid with, among other things, his radio tubes.

The contemporary footage was shot in the studio of a young blue filmmaker who was in the process or making hard-core films for mail order. In Blue Film we watch the action going on, talk a good deal with the participants, and see the finished footage that the filmmaker completed. Despite all the fucking and sucking, Blue Movie never loses sight of the fact that involves people, not just detached organs. The movie is full of little moments like when an actor can't get an erection.

And of course, throughout the shooting, we hear the filmmaker's directions to his cast. The cast consists of two men and two women, and each of them is interviewed, as well as the filmmaker and the husband of one of the actresses. All of them seem to be free of shame and hang-ups. The young husband, in particular, has a totally accepting attitude about his wife's participation in with other men. In fact, given the opportunity, he launches into a whole rap on liberation, it's here that one sees most clearly how and films are finally coming out of the closet.

The one thing that Jerry Nehemia is upset about is the audience response to his film. He emphasized repeatedly how he tried to include a lot of humor in the film-especially in the sound track. It was all carefully synchronized, the interviews and the music, to comment on the visual image.

He intended the film for sophisticated audiences-the kind of people who went to see I Am Curious (Yellow) when it was first released. But at the World Theatre, 7th Ave. and 49th St., where the film is currently playing, the audience is mostly single men who come to a hard-core film for stimulation. "This audience doesn't go to the movies to laugh." he says regretfully. "They're deadly serious about. But movies should be fun, and they are when you sit around watching them with fi group of people."

<--- Back